Monday, December 20, 2010

Shane's 40th Birthday


Making birthday calls to the USA



We met friends for dinner at Cumhuriyet, our favorite meyhane. A meyhane is a restaurant that serves meze (appetizers) with raki, an anise-flavored liquor that turns milky white when mixed half and half with water.



The meze arrive. We ordered broad beans, purslane in yogurt, beet salad, fish preserved in oil, white cheese, some type of pepper paste salad that was delicious, and a double order of lamb's liver. 



We were sitting inside on the second floor, and still we had a little beggar-cat outside the window.
 


Shane opened the window to give him a prized piece of liver and got a scratch in the excitement. We poured raki over his finger to doctor the scratch. Kitty didn't get any more treats, but he did stay as our fifth guest, out on the ledge, through dinner.


Liver and onions, a favorite of the guest of honor.
 


Friends Aimee and Sarah 


Celebrating 40
 

 




Late night cake and singing at a fancy dessert place around the corner.




Sunday, December 19, 2010

Shane's Studio


A posting by Julia in honor of Shane’s fortieth birthday today.

We talked about what Shane would most like to do on this momentous occasion. A cruise to the Black Sea? A night in near-by Bursa at a mineral hot springs hotel? A day revisiting all his favorite Istanbul sites, like the Hagia Sophia, Museum of Turkish and Islamic Art, and Rustem Pasa Mosque? But an ordinary day, working in his studio in the Balat neighborhood, trounced all other plans. 

We will go out tonight to our favorite mehane/meze restaurant with friends. But today, at long last, we are posting some pictures of his studio. He has been working on a large-scale sculpture in plaster over steel since we got here. He plans to cut the finished work up and ship it home to cast in bronze. Here are photos of the work-in-progress. 

When we were sorting through these photos, we could hear seagulls outside our windows. Shane told me that the gulls that ride the air currents up  and down our hill are an influence for this piece, as are the arabesque motifs in the tiles of the Rustem Pasa Mosque. More on Shane’s favorite mosque, Rustem Pasa, in a future post.

Happy Birthday, Shane.


This is how the studio looked when Shane moved in
 


Shane and our friend Sarah in the cleaned-up studio. He painted, got the missing windows replaced, scrubbed the stone floor, installed a wood stove for heat, put up halogen lights, and gathered tools and materials before he began sculpting. The rolling platform in the middle of the room is the base for the sculpture below.


An early photo of the sculpture. He drilled holes in the platform and inserted metal rods to create the armature for the piece.


Looking in from the street. Many of our neighbors spent a lot of time doing just that for the first couple weeks. After watching him fix up the space, it probably seemed mysterious that this American, who had real construction skills, was now engaged in such a crazy-looking activity. We know very little Turkish, but Shane answered puzzled inquires with "Sonra - inşallah - güzel" which means "Later - hopefully (Allah willing) - beautiful"


A studio visit from the Pennsylvania Academy of Fine Arts students.
 





Wood stove and tool area in the back 


Shane set up a plank so he could get a higher view
 


View from the plank
 


Building up the form. He uses burlap, plaster, wire fencing, steel rods and aluminum wire.










Shane got himself some coveralls from the fishermen's supply area.
 


Translating the Islamic arabesque into three-dimensions 











































Applying more plaster-soaked burlap. 
















Latest photo of the work-in-progress.




Saturday, December 18, 2010

Residency Permits


Now that it has been a few weeks, we can laugh about this. Because we are staying in Istanbul for nine months, and because the primary reason we are here is research, we needed to get a longer term visa and an ikamet, or residency permit. We have met people here trying to go through this process on their own, which, in hindsight, seems a most daunting task. Lucky for us, we had the Fulbright office holding our hands, literally, and speaking on our behalf.

First, we needed to make the application at the large, central police station. Our friend, Ulku, who works at the Istanbul Fulbright office, made an appointment for us. The soonest appointment was more than a month away, well past the date by which we were required to have our permit. Which means, no leaving the country in the interim without big fines and problems. But, we were assured, because it was the government's fault for having such a backlog, it would not be a problem for us. As long as everything went well at the appointment.

Ulku met us outside of the imposing Fatih police station on the morning of our appointments. We went through security, registration, across an empty concrete courtyard and up several flights of stairs. We were clutching precious documents: appointment slips with our numbers. We each needed to go separately, we each needed Ulku to do the talking, and our numbers were very close together. Which meant that she spoke quickly with the first one, listening for the next number, than literally ran to the second window to do the talking there. By chance, the two windows we happened to get were at opposite ends of the building, so Ulku ran back and forth between us until all was settled. One interesting thing about signing official documents in Turkey is that you are always required to provide your parents first names, which we suppose is the ubiquitous “secret question” for identity, but we felt strangely displaced and uneasy the first time we were asked.

After we had stood smiling and nodding in our dress clothes, and Ulku had settled everything, we had to go downstairs to pay, a total well over a thousand liras for the both of us. We went back to our windows with the receipts, signed forms, and several passport-sized headshots. We were given appointments for the end of the week to pick up our residency permits.

The first appointment was over and successful. Other Fulbrighters we know weren’t so lucky, needing to go back multiple times, sometimes waiting many hours for a chance to make their case. Our second round of appointments turned out to be much more trying. We went on our own this time on a Friday afternoon to the side waiting room Ulku had pointed out to us. It was packed with people from all over the world, all crowding toward a little open doorway. There was no discernable line. Again we held appointment slips, but this time there were no numbers. Figuring this mass of people was forming some sort of queue, we stood at the back of it and began trying to shuffle forward with everyone else. You can imagine that this practice quickly makes for an extremely compact group of humans. A policewoman pushed her way into the middle and began handing back appointment slips to people who needed to come back another day. Their ikamets weren’t ready yet. But at least now we had a clue: we needed to hand our appointment slips in. We pushed our way to the little door at the end of the room and were fortunate to hand in our slips to the right person, which is not always the case. Observation over the course of the day never unlocked the secret to when appointment slips could be received. Sometimes people in our mass would all start to hand their slips forward to the person closest to the door, only to have the whole pile be rejected back out into our room. Redistributing the slips without a common language was a nightmare, and the slips are precious, the only link to the ikamet.

We did eventually understand the system though, such as it was. Through the little door sat one police officer with a pile of ikamets clipped to paperwork and appointment slips. When appointment slips were handed in, another police officer would go to the archives and try to find the matching ikamet. If the search was successful, the ikamet was clipped to the slip. If not, the slip went into the pile of disappointed hopes. The officer-behind-the-doorway would call out his best guess at each name. The Turkish pronunciation of all these foreign names was often a great source of confusion. There is no loud speaker, so that is why everyone is so tightly packed toward the doorway: they are trying to hear what they think might be their name. It is actually hard to keep your balance in the crush, and it goes on for hours. One of us was called after a mere hour-and-a-half (it felt as if it had to have been longer,) almost crying tears of joy when the officer relinquished the newly minted ikamet. The other waited over three-and-a-half hours, only receiving the ikamet when going through the doorway to check if that last strange sounding name may have been correct, and seeing the photo on the paperwork sticking out in the middle of the tall pile. “Lutfen?” (Please?) and a little helpless pointing resulted in success at last, just before the office was closed for the day. We emerged into the evening exhausted. It had been a real cultural experience, one that is probably similar for many people living and working in any foreign country.

Our friend and fellow Fulbrighter, Aimee Genell, had it much worse than us. She needed two initial appointments. Then, over the course of several weeks, she stood in that crazy, packed-out room for hours before being repeatedly sent away without a permit. We think she may have gone four times before she was successful. We decided to throw her an ikamet party. We went to the Wednesday Market to supply the feast, and built a tower of food to our ikamets - Aimee’s on top, with our friend Jordan’s and our own at the base. We cooked a big feast together and then, as often happens with this crowd, we found ourselves doing hours of karaoke off of youtube. 

We weren’t permitted to bring cameras into the police station, so the few pictures below are from the ikamet celebration, and of the precious documents themselves.



Aimee receiving her ikamet from heaven
 


The the guest of honor with the tower of food and ikamets.
 


The dinner featured many pickled vegetable appetizers, Sarah's famous spinach risotto, our spicy pan-fried chicken thighs, and the best solution to bad Turkish wine: sangria. 


Our Residency Permits 






Friday, December 17, 2010

The Alexander Sarcophogus

The Alexander Sarcophagus is the star of the Istanbul Archaeological Museum. Situated in a pool of light in a hushed room, this early Hellenistic artifact is absolutely remarkable in its preservation, which includes remnants of the original paint colors that covered the entire sarcophagus. It was carved in the early 300s BC from Pentelic marble (the same stone used in the Athenian Parthanon,) a very pure, warm-toned marble. Osman Hamdi Bey, an Ottoman artist, excavated the sarcophagus in Sidon, Lebanon and brought it to Istanbul in 1887.

The relief sculpture on one side depicts Alexander the Great fighting the Persians in the battle of Issus. It is a truly beautiful frieze, complex in design, gorgeously rendered and poignant. The other long side of the sarcophagus depicts Alexander and the King of Sidon in hunting scenes. Originally thought to have been made for Alexander the Great, it is now believed that the sarcophagus was created for the king of Sidon, Abdalonymus. 

We love this piece, and have spent several hours with it already. Touring Istanbul with friends and family will repeatedly bring us to the Istanbul Archeological Museum, and we plan to spend much of our time there studying the marvel that is the Alexander Sarcophagus.



Looking at the Alexander Sarcophagus with PAFA student Lucia Thome


PAFA students Morgan and Galen studying the Sarcophagus




Details, here and below, of the battle frieze.
This detail includes a depiction of Alexander the Great on the left.




















The hunting frieze


Details, here and below, of the hunting frieze.



















Looking at the Sarcophagus with students from the Pennsylvania Academy of the Fine Arts